Read and download NCERT Class 10 History Novels in the Colonial World chapter in NCERT book for Class 10 History. You can download latest NCERT eBooks for 2021 chapter wise in PDF format free from Studiestoday.com. This History textbook for Class 10 is designed by NCERT and is very useful for students. Please also refer to the NCERT solutions for Class 10 History to understand the answers of the exercise questions given at the end of this chapter
Novels In The Colonial World Class 10 History NCERT
Class 10 History students should refer to the following NCERT Book chapter Novels In The Colonial World in standard 10. This NCERT Book for Grade 10 History will be very useful for exams and help you to score good marks
Novels In The Colonial World NCERT Class 10
Novels in the Colonial World
If we follow the history of the novel in different parts of India we can see many regional peculiarities. But there were also recurring patterns and common concerns. What inspired the authors to write novels? Who read the novels? How did the culture of reading develop? How did the novels grapple with the problems of societal change within a colonial society? What kind of a world did novels open up for the readers? Let us explore some of these questions by focusing primarily on the writings of three authors from different regions: Chandu Menon, Bankim Chandra Chattopadhyay and Premchand.
3.1 Uses of the Novel
Colonial administrators found ‘vernacular’ novels a valuable source of information on native life and customs. Such information was useful for them in governing Indian society, with its large variety of communities and castes. As outsiders, the British knew little about life inside Indian households. The new novels in Indian languages often had descriptions of domestic life. They showed how people dressed, their forms of religious worship, their beliefs and practices, and so on. Some of these books were translated into English, often by British administrators or Christian missionaries.
Indians used the novel as a powerful medium to criticise what they considered defects in their society and to suggest remedies. Writers like Viresalingam used the novel mainly to propagate their ideas about society among a wider readership. Novels also helped in establishing a relationship with the past. Many of them told thrilling stories of adventures and intrigues set in the past. Through glorified accounts of the past, these novels helped in creating a sense of national pride among their readers. At the same time, people from all walks of life could read novels so long as they shared a common language. This helped in creating a sense of collective belonging on the basis of one’s language.
You would have noticed that people living in different regions speak the same language in different ways – sometimes they use different words for the same thing; sometimes the same word is pronounced differently. With the coming of novels, such variations entered the world of print for the first time. The way characters spoke in a novel began to indicate their region, class or caste. Thus novels made their readers familiar with the ways in which people in other parts of their land spoke their language.
3.2 The Problem of Being Modern
Although they were about imaginary stories, novels often spoke to their readers about the real world. But novels did not always show things exactly as they were in reality. Sometimes, they presented a vision of how things ought to be. Social novelists often created heroes and heroines with ideal qualities, who their readers could admire and imitate. How were these ideal qualities defined? In many novels written during the colonial period, the ideal person successfully deals with one of the central dilemmas faced by colonial subjects: how to be modern without rejecting tradition, how to accept ideas coming from the West without losing one’s identity.
Chandu Menon portrayed Indulekha as a woman of breathtaking beauty, high intellectual abilities, artistic talent, and with an education in English and Sanskrit. Madhavan, the hero of the novel, was also presented in ideal colours. He was a member of the newly English-educated class of Nayars from the University of Madras
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