NCERT Book Class 11 Heritage Crafts Jewellery

E....X....E....R....C....I...S....E..

1. Designs translate natural forms into symbols. What do you think were the sources of inspiration and symbolism of the following. (Example: Bija or seed represents growth, fertility, prosperity.) (a) Mangai mala, (b) Shikhar of a temple, (c) Dome of a mosque, (d) Wooden tribal pole, (e) Kumbha or pot, (f) Kite.

2. It is said that in Rajasthan a woman carries all her wealth on her body in the form of jewellery. This is one of the ways of investing wealth. What are the other ways of conserving oneís wealth?

3. It is difficult to decide whether it is folk jewellery which has influenced urban jewellery, or vice versa. There is no doubt, however, that many of the forms like the bore, the har, the hathphool, the gajra, originally developed in folk jewellery were later adopted by city jewellers who refined them by using gold and precious stones. Do you agree? Argue your case giving examples of contemporary male and female jewellery fashions in your region.

4. It is interesting, however, to find that children of all castes and communities wear the hasli as it is supposed to protect their collarbone from dislocation. What do children of your community wear and what is the significance of each piece of jewellery?

5. Until recently designs in clothes and jewellery of the people all over India were governed by their particular caste and the community to which they belonged. Do you think this tradition is changing, and why?

6. Investigate the occupational health hazards in different aspects of jewellery production, as for example in meenakari work or in the bangle industry. How can this be addressed?

7. A recent Hollywood film called Blood Diamond describes the political conflict, exploitation of children, and slavery involved in the mining of diamonds in Africa. Write a poem or story on a related theme based on your observation/experience/research 

Please refer to attached file for NCERT Class 11 Heritage Crafts Jewellery